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PAST
RAMBLINGS
XXI
(collection of past Homepage greetings and stories)
May 21, 2007 -to-
Sept 4, 2007
   
   
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May
21, 2007 |
Howdy my fine friends,
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It sure is a lovely time of
year here in Seattle. It
seems like every tree and
bush and flower imaginable
is sprouting new growth,
burgeoning over sidewalks
and fences, lofting light
fragrances onto the breeze
and splashing 'em all over
my nose. Luckily, I don't
have much in the way of
seasonal allergies. Oh, once
in a great while I'll sneeze
sixty or seventy times but
that's just plain fun.
Almost every day I hike
somewhere through the city,
wandering down ravines and
up trails and hills, through
neighborhoods and along
waterways. A few days ago I
was hiking with my friend,
Brian. Brian has managed my
website for years and we get
together often on the
pretext of working on a
concert postcard or website
photo, but really, we are
just two young boys telling
stories. If you don't have a
pal to toss a baseball
around with, sip coffee and
embellish stories with, I
highly recommend that you
get to work on that right
away. Don't be bashful, the
whole world is looking for a
buddy to laugh and tell
stories with.
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photo
by P. O'Driscoll |
After
one of our hilarious story
telling times down at Caffe
Ladro last week,
we hiked a trail down near
the Sammamish Slough and as
we walked, I caught the
light, out of the corner of
my eye, off a large baby
blue rock in the stream.
Whoa. I touched Brian's
shoulder and backed up
quietly. In the water not
twenty feet from us was a
Great Blue Heron. It was
spectacular, sort of
hunkering down on the water
and looking for tasty fish.
Brian started telling me a
story about seeing this
specific heron fly past him
when he was biking one day
and I thought, how the
hell do you know it was this
one? but I let it pass,
thinking that fisticuffs
would ruin the mood. We
stood for ten minutes and
watched the awkward looking
bird lift his lanky legs one
at a time, and place them
with great precision back
into the current as he
hunted. To our surprise, he
suddenly darted his head and
neck under water and came up
swallowing something, the
cool water pouring off his
head feathers. I didn't get
to see what he'd caught but
it was a joy to think that
this activity, this
beautiful heron fishing,
could still go on despite
condos and highways and
traffic not half a mile
away.
It reminded me of my
friends, Joie and Jeff, who,
last weekend, gave me a tour
of their back yard, showing
me how they'd been replacing
the overgrown vines and
shrubbery with all Native
Northwest plants in their
yard. They live in the
Fremont Neighborhood in
Seattle, a very dense part
of town, and Jeff had said
that when they began
digging, he was astonished
to see the richness in the
soil, the profusion of grubs
and earth worms and other
life in the ground. "Somehow,
it's almost more inspiring
to see all this life in the
soil here than it would be
in the country. Even with
the concrete and traffic and
pollution, there is Nature
still growing and evolving."
He didn't really say it that
well, Jeff is highly
inarticulate, practically a
cave man, but this is what
he meant, I'm pretty sure.
Besides, I like to make my
friends look good in print
to make up for what God
didn't give 'em in physical
appearance. Joie just
grunted.
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photo
by P. O'Driscoll |
My
favorite story of the
springtime comes from my
sweetheart, Patricia, who
was adopted by a pair of
finches. In her bathroom,
she has a casement window
that rolls out with a little
spinning handle. The window
was slightly open one day
and she heard a commotion
and found that a finch was
just beginning to build her
nest there. She called me,
excited, but not sure
whether she wanted to have a
bird nest in an open window
to her shower. I convinced
her that very little bird
shit would enter her home,
and that, if it did, I'd
clean it up. This cleared
the hurdle and she watched
happily as the construction,
which began with sticks,
evolved into grasses and
soft doggie hair which her
two dogs had carelessly left
blowing around the yard.
Within a few days there were
four little blue eggs, about
half an inch long. Every day
the mom would sit on the
eggs and sing, occasionally
leaving to eat, though her
mate was bringing her food
too. Then one day Patricia
called me and said the
female had sang a completely
new song, one she'd never
heard before. The tiny
bird perched on the edge of
the nest, turning inward,
and sang directly to her
eggs. Within minutes, two of
her offspring had hatched. I
loved that the mom would
sing to her children through
their shells and encourage
them to try to break through
and enter the world. Like
those earthworms tunneling
through Jeff's and Joie's
yard in Seattle, and the
heron fishing near Brian's
place in Bothell, the
brilliance of this mother
finch singing to her
unhatched birdlings seemed
hopeful to me.
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| I
thought of the chorus of my
song, Wild Horses Run. |
Painted pony,
long may you run
How I only wish I
was young
Heading out on the
wide open plains
Where I was born
But I'm up in the
fathomless air
You're below on the
ground
Way down there
For as long as you
run
You will keep my
hope alive
How I love it when
Wild horses run
©2007 |
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This morning we were talking on
the phone and Patricia said she
felt like God was showing her so
many beautiful things, that the
birds nesting in her window were
this beautiful gift given to
her. I said I fully agreed, but
that it felt to me that all of
these gifts have always been
there for us; just waiting for
us to notice. It only takes just
a slight willingness to get lost
in some detail, some miracle of
the natural world around us and
when we see it, when we finally
breathe it in, it seems like it
has never existed before that
moment. But really, it was
always there just waiting for us
to open our hearts enough to
notice. |
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Last
week I was on one of my long
walks, listening to Livingston
Taylor on my iPod. (Please get
his new one: There You Are
Again. What a beautiful,
good-hearted collection of
songs) I crossed a street to a
triangular island in the middle
of a quiet neighborhood
intersection. There was a path
through the grass worn to the
ground and a few strands of
grass still sprouting in the
dirt trail. I avoided it at
first, thinking, "I don't want
to walk on that beautiful
grass." Then I had another
thought, maybe not so much a
thought as a knowing; "The grass
loves you to walk upon it. She
is quite happy to allow your
weight upon her."
Now,
that may seem like a very silly
thing to be writing about, but I
experienced a shift in my
thinking right then. It occurred
to me that, as good as it feels
for me to walk barefoot through
soft grass or along a soft dirt
path, maybe it also feels good
to the earth. What if that
beautiful comforting exchange
that we feel when our feet touch
the earth, toes squirming in
sand or resting upon cool
clover, really is an exchange?
What if we give something to the
Natural World when we are in
grateful contact with the earth?
I know it's true, but I've
mostly felt that the earth gives
to me. It has less often
occurred to me that I can give
back to her.
For
the next mile home I kept
thinking about this. About how
we have often called her Mother
Earth but then separated
ourselves from her as much as
possible. I love this planet, I
am grateful that I was born here
and that I can walk this ground
and climb these trees and swim
these rivers and listen to the
rain and the birdsongs and the
wind. As I walked I thought of
all the ways we have worked to
disconnect ourselves from this
beautiful, benevolent planet.
First of all, we put leather and
rubber between our soles and the
ground. We build sidewalks and
boardwalks and floors and
bridges and roads to keep from
touching her. Is is possible
that she misses us?
I
want to lay my body on
the ground and listen
I want to close my eyes
and trust my inner
vision
And when I wake up early
in the morning,
shivering
I'll be alive
~ from the song,
So
Alive ©1993, from
the CD,
At Your House
It
probably seems like there are
far more important things to
discuss these days than walking
barefoot or lying on the ground
and looking up through trees,
but maybe there really aren't.
Maybe one of the reasons
everything is so out of balance
on our planet is because we were
born into a world that had
forgotten it's connection to the
Earth and we have not managed to
turn that around. I know that
when I take some time to feel
the breeze, to watch the birds
and squirrels in my walnut tree,
I am calmer. I'm less likely to
race someone to the intersection
for no reason other than
winning. I'm more likely to feel
a sweetness with people I see
and especially with the love of
my life, instead of finding
where tension lies and attaching
my attention to it like a
missile to a target. There is
always an excuse your mind will
agree upon to seek drama and
trauma. But when I've worked in
my yard or taken a hike or swung
in the chair hanging from my
tree, it feels like something
else takes over instead of my
thoughts and habits. It's a
beautiful thing to notice this
change and to foster it and talk
about the possibility of doing
it more and more often: of
choosing kindness and compassion
over judgment and blame. I have
been especially blessed to have
a partner in my life to do this
with in the last couple of
years. She is loving and
courageous and dedicated and I
have seen us break through many
old patterns that we were born
into in this world and choose
kinder ways of living and
relating. If you've ever really
sought this and seen some small
success, you know what I mean.
It's life changing.
I write about these things in
this rambling, meandering style,
because they come to me in this
way; in the moment. I never know
what will pop up, I just trust
what comes to me and I go with
it. Maybe it's funny, perhaps
meaningful, maybe full of
nonsense. I just know that if
something that is happening in
my life is helpful to yours, I
would not want to have held it
back. So I tell you my stories
and am happy if there is
something useful to you. And if
what I write seems insane to
you, I'm sure you must be right.
Just toss it out and get back to
your nice bowl o' Fruit Loops.
In fact, while you're crunching
along, please feel free to think
of me as a total doofus - though
a well meaning one.
|
A
couple of weeks back we were at
a Seattle park and Patricia was
taking some promo photos of me
with my guitar. There was a
group of children riding their
bikes around and when they saw
me with my guitar and my
beautiful girlfriend taking
pictures, they naturally assumed
that I must be a very, very
famous musician. A few dared to
ride closer and asked her, "is
he famous?" "Yes" she said,
"extremely." That did it, the
kids swarmed all around us,
asking for autographs. Of
course, I was without my regular
autograph equipment that I
usually carry everywhere. I had
nothing to sign. It is the first
time in my illustrious career
that I have signed the inside
liner on a kids bike helmet. Oh
yes, I signed a sock, too.
Patricia, having two lovely
daughters of her own, is
brilliant with kids and had them
laughing and posing in seconds.
They all wanted to hold my
guitar and I let them take
turns. Then they surprised me by
asking if I'd sing a song for
them. I almost never sing in
public if I'm not actually
performing onstage but it just
seemed so right - and I probably
couldn't have gotten out of it
anyway. I sat down next to a
tall cedar tree and told them
they had to really listen if
they wanted me to sing. Now,
I've sang a few times for
elementary age school children.
They can listen for a short
time, but even then there is
usually a dozen other things
going on among them. These kids
surprised me, each turned their
gleaming faces on me and looked
into my eyes with the most calm
love and joy I've ever seen. I
felt like I was surrounded by
little monks. I sang All is
Clear and they listened to every
note, every word of the song . .
.
"Way
up here it all is clear and I'm
not afraid of living in these
years "
|

photo by
P. O'Driscoll |
.
. . and then they burst into
applause afterwards. A woman
watching over them - probaby
somebody's mom - sat fifty yards
away on a porch and beamed
brightly at the sight of me
singing to her kids. It was such
an expected blessing to our day
and Patricia and I talked about
it for hours. Just another of
those things that happens when
your heart is already opening
and Life can't wait to flood
more love into it. One of the
girls turned to Patricia as we
left and said, "I'll never
forget you" like we'd come into
their world and done something
wonderful, when it was exactly
what we'd thought about them. We
never told them I wasn't Eric
Clapton.
I've
written every word of this to
you while leaning back in the
seat of my truck, my iBook open
in my lap, my pooch snoozin'
next to me, enjoying the shade
of a big pine tree in Magnussen
Park in Seattle. It's been a
pleasure writing this little
rambling for you - it was just
what I needed. I hope it's been
good for you, too.
In
case you've forgotten, as soon
as you read this, take a couple
of minutes to breathe. In fact,
why not take a big ol' breath
right this minute? There's
nothing keeping you from it is
there? (unless you're reading
this underwater) If you like
that first one, I recommend that
you follow it with another and
see if you like that as well.
How was it? Nice? Sure it was.
Why not take twenty or thirty
while you're at it and change
your day? I swear, it works.
Breathe deeply for five minutes:
nice long, slow breaths with a
little pause between, and I can
promise you that your life will
be better than it was when you
started.
I'll
leave you with the lyrics to one
of the songs from my new CD. The
song is called Flag of Human
Kindness. I hope you like it.
Your
friend in blustery Seattle,
~Michael |
Flag of Human
Kindness
©2007 Michael
Tomlinson
|
From the wild
Alaska sky
To the muddy Rio
Grande
To the stormy shores
of rocky Maine
There lies a country |
I was born here
in this land
Under the flag of
hope and freedom
Now it seems such a
faded dream
Like a dream that's
lost it's meaning |
In the early
morning sun
There are many men
and women
Waking up in more
ways than one
To say where are we
going?
Where are we going? |
There's a time in
every life
There is an age for
every nation
When her patriots
must stand aside
And say, "first, we
are human"
Are we not human |
And in the
dawning of this
hour
And in a clear,
undoubting voice
If we can still
this ever raging
noise
For our human
race
I know we must
Who will mend
this weary
place?
It's surely us
|
We can cast our
bitter blame
Or we can just do
what is needed
Pray the embers that
still remain
Become once more a
beacon |
It's not us
against the world
No, it's everyone or
no one
There is a braver
flag to unfurl
It's called the Flag
of Human Kindness
Human Kindess |
And in the
dawning of this
hour
And in a clear,
undoubting voice
If we can still
this ever raging
noise
For our human
race
I know we must
Who will mend
this weary
place?
It's surely us
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photo by P.
O'Driscoll |
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July 10, 2007
Howdy my
summertime friends,
I just returned
from hiking in a ravine near my house.
If you were just passing through the
nearby neighborhoods you might never
suspect that such a woodsy little canyon
was there, but if you know the right
street to walk down you will thread your
way between two houses on what looks
like a cul de sac and suddenly you'll
step down several wooden steps onto a
beautiful footbridge over a sort of box
canyon. Trees and ferns and bushes cover
the ground below you and it's almost
dizzying to so immediately find yourself
looking into a jungle in the middle of
Seattle. From the other end of the
bridge, I took a trail I'd never taken
before and wound my way down to the main
trail, which leads from one end of the
ravine to the other. The lower I
descended the louder the creek became.
I'd been listening to Bruce Cockburn on
my iPod but I always turn it off
when I get down into woods where
water
is flowing. Though there was probably
another hour and a half of daylight, at
the bottom of the verdant ravine it was
near dusk
already. I paused where the creek widens
and cascades through some cut outs in
the cedar log that dams it and was
mesmerized by the music of it. It took
me immediately back to my youth, a time
when I was 21 years old and on a camping
trip in Colorado. I actually went in and
out of the memory on purpose for a time,
marveling at how we can travel this way,
from the present moment to a time
decades ago and then instantly back
again and on some level it all feels
like there is no time between.
I took off my shoes and socks and sat on
a log and dangled my feet in the water.
It was colder than I thought it would
be, extremely refreshing and soothing at
the same time. I decided to sit there
and get lost in memories of that trip
with my buddies back in the 70s,
wandering the Rocky Mountains, camping
and hiking and playing music in alpine
meadows.
. . . The
landscapes we’d found in the Colorado
Rockies were high-paradise to us, a
bunch of Texas Panhandle boys used to
camping in the dirt and eating a fair
bit of it. When we saw frothy rivers
rushing out of the misty mountains near
Silverton and Ourey we thought we’d
found heaven. Everything we saw was
beyond the dreams of a bunch of
plainsmen like us. Considering that we
were in such bliss in the mountains, we
were actually quite picky about where we
would make camp. We shunned the state
campgrounds, following more obscure
logging roads until they led us far
enough from civilization to satisfy our
stubborn criteria of what was really
camping. In the same way you might drive
all the way through a small town
considering each and every motel, hotel,
inn or lodge before turning around to
decide upon one - and then find that
you’ve driven completely through again
without making a decision - we would
drive back and forth over dirt roads,
talking over the pros and cons of the
spot near the giant tree stump or the
one near the rock that looked like a
dog, arguing the merits of being able to
drive right up to the site as opposed to
carrying our vast cargo from a quarter
mile away.
When
in doubt about whether to finally set up
camp or keep looking, my buddy, Carl,
would pose the ultimate question; “What
would Dan’l do?”
“Dan’l would
keep on driving man, unless he seen some
bar scat. Long as he had a gallon of
gas, he’d keep on a truckin’.” I
insisted.
I turned and
looked into the backseat to see what the
consensus was, and Steve and Dale Ingels
were giving solemn nods of agreement
even though they didn’t have a clue what
Dan’l Boone would have done. A more
pertinent question to the Ingels
Brothers might have been “What would
ZZ Top do?” Anything else was of
little concern to them. The Ingels
brothers were low profile, mild mannered
fellows, laid-back before it was trendy.
Fortunately, pot had become mainstream
and they now blended in flawlessly with
much of society.
There were
several important factors we considered
when choosing the perfect campsite.
Weary of plain old Texas dirt camping,
once in the mountains we always insisted
on having water nearby. Trees too, were
a prerequisite - if we’d wanted to spend
three days sitting around in direct sun,
we’d have just camped out in our back
yards. Ideally, when we camped we
preferred to be out of sight of all
other human beings, their pets and all
their various trappings and
accoutrements. This meant no other
tents, trailers, cars, motorcycles,
tricycles, tarps or boom boxes within
sight of our camp. Though we
ourselves carried various ice
chests, tents, tarps, guitars,
mandolins, water-bongs, cots, baseball
gloves and lawn chairs, we abhorred
looking upon these items at anyone
else’s site.
Our criteria
included three that we all considered
deal-breakers and we had made a concrete
and contractually binding list of them
on the long dusty drive from Dalhart to
the first lonely mountains of New
Mexico. There was no room for
negotiation concerning these and we
agreed that we would drive until we
found such a place - or until we died,
whichever came first. The points were as
follows;
- No
Porta Potties. Real frontiersmen
shit under rocks or hold it until
they get to McDonalds.
- No
assigned space for your tent. A
little 8-foot square sandbox with a
sign that reads - Must place
tent within box! - was not and
never would be acceptable.
- No
campground host or Forest Service
personel in the vicinity. It was
absolutely critical that there be
ultra-low risk of being pulled
paranoid and nekkid from your
sleeping bag, reeking of bong
water, and hand-cuffed in front of a
bunch of white-haired RV-ers playing
Wahoo.
Looking back
on these rigid demands, I can see that
our thinking was askew. I’m not proud of
it, I’m just telling you how it was.
.
. . I laughed for a while, thinking back
on those magical times when I was still
practically a boy, and then I used my
socks to dry the creek water from my
feet. I put my shoes back on and hiked
to the other end of the ravine. I
usually climb out the far end and come
back through some lovely neighborhoods
but tonight I was so enthralled by the
spirit of the woods that I couldn't
bring myself to leave just yet. When I
reached the far end I turned around and
hiked back home the same way I'd come.
If you live in Seattle and never have
hiked from Cowan Park to Ravenna Park
through the ravine, I hope you'll repair
that big mistake as soon as possible.
I've
been in the studio intermittently
over the last several months, working on
a new full band CD. A couple of days ago
I had the honor of having Miles
Gilderdale of Acoustic Alchemy come into
the studio and lay down some exciting
guitar tracks to my song, One Way
Through. What a joy it is to listen to
such a musical master. I don't think he
considers himself that, but the three of
us in the studio listening sure do. I'm
excited for you to hear it.
I hope to finish my new CD by early fall
and have been thinking I need to create
some music videos to promote it on
YouTube. I'd appreciate your insights.
Tell me what you think about my concept
for the first one:
The
camera pans across the
Pacific Northwest sky,
focusing on a cloud that
looks remarkably like a
guitar. (we may have to wait
a while, but I've seen lots
of them) As camera zooms in
on guitar cloud, my song
starts playing. The camera,
startled by this, looks
wildly around, framing
blurred images of mountains,
ocean, clouds and my feet.
(I will have to run the
camera until I can afford to
hire a professional)
Now
the song keeps playing while
the camera goes all shaky
for a minute as I attach it
to a tripod. When it all
stops shaking enough so that
you can once again make out
what is onscreen, I'm lip
syncing my song and
strumming my guitar and
swaying in a very attractive
style I learned way back in
junior high, and which I
plan to make hip again. My
hair is perfect. "Too
perfect", the wind seems
to say, and so a brisk gust
kicks up and tousles my
forelock. You can see a
sullen irritation cloud my
face "forget my looks
dammit, this is art!"
But still, I manage to catch
a quick glance at myself
when I take off my mirror
sunglasses and gaze into
them. (none of this is on
camera, as it would not
serve the story) The camera
pans down toward my guitar,
registering that my top
three shirt buttons are
haphazardly unbuttoned and
my liquid tan spread
professionally and evenly.
The
camera continues it's path
downward as I reach the
chorus and zooms into the
sound hole of my guitar
where there suddenly appears
another whole dang movie
goin' on. (I've got that
green screen thang down!)
There is a trophy case
filled to the brim with the
dozens of trophies I won in
my youth, scoring
touchdowns, bowling strikes,
catching big-mouth bass,
winning spelling bees,
uprighting an over turned
school bus. (I have to
figure out how to get my
camera to make those wavy
lines so you will understand
that this is supposed to be
scenes from my past) While
you're marveling at my
trophies, I can take a short
break from lip syncing and
enjoy a swig of Jack
Daniels. Then the camera
continues it's descent, down
past my guitar and holding
steady on my jivey legs and
feet, which are involved in
a prize winning Irish jig,
kickin' up dust and gravel
like the dickens.
To the surprise of the
viewer (you) there appears
on the gravel at my jigging
feet, an ominous shadow.
This is high art and meant
to symbolize the
Insidious Music Bidnis,
which I once hated with a
passion but now recall
fondly. The shadow is
actually made by my truck,
which is rolling at
startling speed toward me in
reverse, having jumped the
tanning lotion bottle I used
as a chock behind the rear
wheel. The hurtling vehicle
now adheres eagerly to the
old-fashioned rules of
gravity. The shadow looms
large for a flash and then
there is a loud noise and a
scream and when the dust
clears, the only thing on
camera is that guitar cloud,
which now looks more like
just a regular cloud-shaped
cloud. Groaning and muttered
obcenities are heard
off-camera.
|

photo
by P. O'Driscoll |
Fortunately, the sand is
soft, and though the rear
tire rests on my torso, I'm
completely unhurt and able
to still lip sync, though
I'm no longer dancing much
of a jig. I reach out and
tip the camera away from the
sky and aim it back at
myself, just in time for my
blazing guitar solo.
(because I cannot play
blazing guitar solos, I will
speed up the film and insert
whatever hot guitar lead I
can find that is now in the
public domain) I nudge the
camera with my toe until it
leaves my smokin' fingers
and focuses again on the
sound hole of my guitar.
(this is meant to represent
My Destiny - but then,
anybody would know that)
where there are now images
of me opening up cans o'
whup-ass on certain famous
politicians who deserve it
terribly. There I am
slapping Dubya hard on the
back just as he is trying to
adjust his ear monitor for a
televised debate. Then there
is another lovely shot of me
holding Dick Cheney in a
headlock and giving him a
serious "noogie" for turning
around and spraying shot gun
pellets without lookin'
first. And finally, I am
repeatedly and flat out
punching Karl Rove right in
the snout. This is exciting
footage and will put me in a
class of my own, I believe,
when it comes to relevant
singer-songwriters who
cannot abide all that
right-wing bullshit one more
minute!
In the last verse, the
screen will go black for a
few minutes as I yell for
help and get some clam
diggers to come roll my
truck off my belly. Then,
leaving the camera on the
ground but aiming it
skyward, I will lean over it
and sing the last chorus
looking down into the lens,
careful to keep my big
legged shorts tucked tight
behind me so that no obscene
shots of a folkslinger's
private goodies are
accidentally seen. (that is
another video altogether)
|
So, what
do you think? I know it's just a
concept at this point, but I think I
can really pull this off in high
style. If you feel it's something
you would enjoy seeing, please let
me know by voting with big wads o'
cash so that I'll have a whole shit
load o' currency the day of filming.
Well, I guess I'd better get back to
the studio and try to finish this
record. The video ain't far behind,
my friends.
A
few weeks ago I had one of the
most beautiful concerts of my life. I
rented a small hall in Bellevue, across
the lake from Seattle, and sent out some
postcards and emails to announce it. To
my wonderful surprise, a building full
of folks turned up. My sweetheart,
Patricia, was there and that makes any
concert more special for me. She and I
showed up with some friends and
volunteers and set up the room for the
show. I decided not to use the main
stage because it had no stage lights
except for some overhead fluorescent
tubes, which would have made it feel
like I was performing in the aisles of
Safeway. So we set up the chairs in a
semi-circle and I built a temporary
smaller stage out of folded tables and
4x4 lumber.
My friend,
Michael Vincent, brought his excellent
Bose sound system and even a light tree
so that people could see my contorted
expressions as I sing my lonesome
ballads. My business manager, Michael
Munniks, and webguy, Brian Dina, and
several other folks arranged the chairs,
worked the door and set up my CD table.
I do these
events never knowing just what will
happen. Who will help me set up, sell
CDs, etc.? I just set it all in motion
one day when I make a call and see if I
can get a hall for a certain night. By
showtime a few weeks later, it all seems
to have wonderfully come together and
made a space for music and friendship to
happen.
It always
amazes me who comes to my shows, no
matter where I am playing in the
country. It's like a roomful of family
and friends is waiting for me everywhere
I perform. At this show, as well as
folks from all around the Seattle Area,
there were people who flew in from South
Carolina, Oregon, California, Maine -
even England. When I asked who had come
the farthest distance, a woman stuck up
her hand and said, "England." I
laughed and said, "but you didn't
come specificially for the concert,"
and she corrected me right away. "Yes,
I most certainly did!" I knew not to
argue with her.
It ended up
being such a moving, tender and friendly
night. We laughed so many times that a
passerby would have thought a comedy
show was going on. And I know at least a
few folks cried a time or two. (that
dang Yellow Windows gets 'em every
time!) I myself, almost broke down once,
but luckily, was able to head it off
with a manly snort and a hard bite of my
cheek.
For days I
received emails about that concert. One
of my favorite was so touching that I
asked permission to share it on my
website. It was written by Donna Stevens
and she has allowed me to share it with
you.
|
Sunday, June 10, 2007
Michael, thank you for
such a wonderful
intimate concert; by far
the BEST I've been to.
Having been in the
hospital for most of the
last two years,
attending your concert
was my first time out in
nearly 5 years. It will
be a night that my best
friends and I will
cherish forever. I had
told them how much it
meant to me to be able
to share with them the
very thing that keeps
the rhythm of my life
going....and that is;
your music.
I hope that you will
continue to have more of
these "living room"
concerts. In our busy,
hectic, crazy world; it
is such a breath of
fresh air to stop long
enough to enjoy what
matters to us all the
most; that we stay
connected - and your
spectacular gift of
music keeps us connected
to memories, dreams,
destinations in
spirit....and most
importantly; connected
to love.
Thank you again for a
wonderful night of
music, sharing memories,
making us cry and laugh
- your songs soothe the
aching heart and the
worried mind; and that's
medicine that only God
can give to an
individual if they are
willing to listen to
that "song" that stirs
in their heart. When you
talked about jumping
into Barton Springs and
coming up "wet" - I
believe that's exactly
how we all felt last
night "refreshed,
invigorated and
renewed".
Never stop singing,
~DJ
|
I mostly
wanted those of you who have never been
to one of my concerts to read Donna's
letter because on some level, that's
what I try to make of every concert I
play. Just a night of songs and stories
and laughter and goodwill and maybe a
few reminders that we're not alone in
the world.
I've been very
long winded this month. I think it's
that dang late sunset. It really gets me
goin'.
Thank you for
checking in on me now and again. I'll
let you know when my new CD is finished
and if I get any concerts in your area.
I hope you're well and feeling grateful
to be alive. If you're not, don't be
hard on yourself, just take some deep
breaths and start again. You can start
over as many times as you need to. We'll
all get it, eventually.
I'll leave you
with the lyrics to my song, Wild
Horses Run, which, already on my
solo-acoustic CD,
Standing
in Troublesome Creek, is also going
to be on my new CD with full
accompaniment. I hope you enjoy it.
Your friend in
breezy Seattle,
~Michael Tomlinson

Wild Horses Run
©2007
Michael
Tomlinson
I see the earth
below me
From a cloudless
sky
I think of what
I've lost
And what I'm
never going to
find
In spite of all
the love around
me
I grieve for
what I leave
behind
I see a shadow
moving
Along the Great
Divide
A herd of
appaloosas
Heading down the
other side
Changing
everything
inside me
Bringing so much
back alive
Painted
pony, long
may you run
How I only
wish I was
young
Heading out
on the wide
open plains
Where I was
born
But I'm up
in this
fathomless
air
You're below
on the
ground
Way down
there
For as long
as you run
You will
keep my hope
alive
How I love
it
When Wild
Horses Run
I walk along
the river
Watch the water
flow
I wonder if I
swim her
Will she ever
let me go?
Or will she hold
me like a lover
Make me part of
her own soul?
And then a Great
Blue Heron
In the shallow
reeds
Opens up his
wings
And climbs to
heaven over me
It's hard to see
circling heron
And say you
still do not
believe
Did
you ever
have a
moment
Flow
like
love
around
you
And just
heal
every
thing?
You look
around,
cannot
define
it
Nothing
can
describe
The
rousing
beauty
of this
place
How I
love it
When
wild
herons
fly
Painted
pony, long
may you run
How I only
wish I was
young
Heading out
on the wide
open plains
Where I was
born
But I'm up
in this
fathomless
air
You're below
on the
ground
Way down
there
For as long
as you run
You will
keep my hope
alive
How I love
it
When Wild
Horses Run
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Sept 4, 2007
Howdy my fine summery friends,
I'm kind of beat up and battered and
I'm embarrassed to say that it's
only from doing heavy yard work all
day. Just yesterday I was walking
with my friend, Brian, and we were
talking about how our bodies cannot
take the constant pounding that we
used to submit to when we were both
runners. I still run now and then,
but I'm more a brisk hiker these
days. I said, "can you imagine what
would happen to our joints and bones
and tendons if we played just half
an hour of football these days?" He
just winced and sucked wind through
closed teeth. My sediments, bezactly.
What I'm sore from is from climbing
into bushes with one of those
hand-powered hedge trimmers. No
electric, gas-powered, automatic
trimmer for me, podnas, I'm all
about making that scissor motion
with my arms thousands and thousands
of times, snapping those long blades
closed and opening them way up for
bite after bite until my arms fall
off.
What
happened is that the jungle kind of
snuck up on me these last couple of
years. I live in Seattle and it
rains here. Then the sun comes out
in June and grass grows a foot a
day. Blackberry bushes grow a foot a
minute - as does St. John's Wort,
which is plentiful all around my
front yard. In fact it had gradually
swallowed all other plants, bushes
and flowers. Why I did not notice
this for such a time is a mystery.
Perhaps it would never have happened
had I not gotten to looking closely
at my front yard and thinking to
myself, "Shay thare, ain't this
front yard considerably smaller than
when ye moved in, ol' fren?" (that's
really how I think - in countrified
dialect. I dream however, in pure
King's English - Say, my good
fellow, is not yon garden
encroaching fast upon fine
cottage?)
Anyway, I started recalling things I
used to do in my front yard that
seemed impossible at it's current
size. For instance, I once set up a
long jump pit and would dash forty
yards and leap like a gazelle for
the entertainment of passersby.
Impossible now. At best, I could do
maybe one and a half
hops-skips-and-jumps. I remembered
the time some friends and I played
polo here. The field was not full
size, of course. And obviously, we
had no horses, so we played in
smallish cars; two VW Rabbits and a
Lincoln Towncar cut in half. No way
we could do that now. And so I went
on and on with the reveries,
recalling the most bizarre events,
things that had not occurred to me
since way back about the time of the
salad bar accident. Oh! Have I never
mentioned my salad bar accident?
Well, I'm not sure this is the place
to do so, I like to keep my website
ramblings proper and to the point.
But if you insist, I guess I have no
choice but to tell you the good
parts at least.
 |
It
was in the late 1970s and I was at
the Big Texan Steakhouse in
Amarillo, Texas. Which is where I
grew up. Not in the Steakhouse, but
in Amarillo. If you've never been to
Amarillo, here is how you can
experience it no matter where you
are: find yourself a bucket of dry
dirt. Shovel it out onto the kitchen
table in lumpy hills. Now, sit about
three feet from it with your face
just at table level. Your friend on
the other side of the table will now
approximate Life in Amarillo by
turning on one dozen high powered
electric fans, blowing dirt, clods
and grit into your face, hair and
teeth at ferocious velocity. Welcome
to Amarillo, birthplace of Mike
Tomlinson, eventual folkslinger. |
Oh yes, I was going to tell you
about the salad bar accident. It
hurts to even think about it so I'm
going to make this brief. See, The
Big Texan sits right there off the
shoulder of Interstate 40, a giant
model of a cowboy nodding to you
from miles away. As you approach you
will see signs advertising a free
dinner if you can eat the 72 ounce
steak and "all the trimmin's".
Which, as you might imagine, are
dizzying in quantity, a clump o'
mashed potatoes the size of a couch
pillow and more greasy hush puppies
than you'd need to shoe a police
force. (if they all dressed like
Mister Rogers)
Now, I began to live the vegetarian
lifestyle way back in the vicinity
of 1978 (the year I was born) and so
a steak of any size was not for me,
certainly, a 72 oz. steak was way
beyond the pale. And besides, I was
sick and tired of being treated like
an alien from another planet just
because I drank carrot juice,
occasionally fasted for a week and
did not eat meat. It was nearly
impossible to find a restaurant in
Amarillo in those days that could
provide a meal for someone who
didn't eat cows. I'd had it, so I
walked up to the Big Texan manager
and demanded that there be a free
meal opportunity for a person such
as myself, who did not like eating
mammals of any type. To my utter
amazement, he grinned and said,
"Sure podna, (everyone is a podna in
Texas) we can pro-rate the salad
bar. You'll have to eat a bit more
since vegetables is mostly water,
but if you can eat six pounds o'
salad - with a side o' bread and
butter and a slice o' pecan pie -
you can walk outa here free as a
bird."
This truly astounded me. I was used
to being looked at like an idiot
when I'd drive up to Whataburger and
order a cheese burger with
everything on it but the meat. To
think that the Big Texan Steakhouse
manager was going to cater to my
special dietary needs was
delightful, indeed.
First, I took a good look at the
salad bar. Heck, I liked almost
everything on it but the hominy. I
could work around that. "Do I have
to eat some of everything or does it
just have to weigh six pounds, no
matter what I choose?"
"Son, if you want to eat six pounds
worth of iceberg lettuce or shredded
carrots, God Bless ye. Have at it."
He handed me a plate so cold that my
fingers stuck to it and I had to use
the edge of the table to pop it off
my palms. Yeoowww! Was that a trick,
I wondered? Was cold food harder to
get down? I quickly forgot about
that and started filling my plate. A
waitress appeared at the table with
a small scale and said, "We hafta
weigh it first. We hafta weigh each
serving before ya eat it."
I said, "Why don't you just weigh me
now and then weigh me after, instead
of weighing each plate I eat?"
"Oh," she said, "I guess we could
but we just have this little scale
and I think you weigh more than ten
pounds."
I had piled my plate sky high but
after she took off the half-pound
the heavy platter weighed, I only
had 13 oz. of salad there. Damn.
That was a tall pile of salad. I did
a quick mental calculation and
realized that I'd have to eat almost
7 1/2 servings like that. Oh well. I
just started shoveling. Too late, I
realized that I hadn't put any
dressing atop it and since I'd
already weighed and started eating
it, they wouldn't let me add the
dressing. That was some awfully dry
iceberg lettuce. The carrots must
have been lying out for days because
they had more the consistency of
wood shavings. Thankfully, there
were cherry tomatoes, which I
normally love, but these were so
mushy they squished around all slimy
in my mouth and I never could get a
good molar on one. Eventually, I
just had to swallow them whole.
Well, this went on for some time, as
you can imagine. My friends had long
since finished their burgers and
fries and were off playing pinball.
I'd pictured it going very
differently. Well, let me take that
back. I hadn't pictured this at all.
All I'd originally been doing was
standing up for my rights as a
vegetarian and I had no earthly idea
it was actually going to get me into
a salad eating contest.
|

By
my fourth plate, which, though
mountain high, weighed only 11 oz.,
I was growing despondent and
shockingly full. My fullness was of
the unpleasant variety you feel
thirty minutes after a massive
Thanksgiving feast. Not horrible,
but if you hadn't thought to wear
sweat pants you'd surely be moving
four or five holes out on your belt
strap. So what I'm saying is, half
way through this ordeal I felt like
a man who had eaten two turkey legs,
three mounds of stuffing, a big hill
o' mashed potatoes, three buttery
dinner rolls, several spoons of
cranberry sauce, a bowl of green
beans, two pieces of pie and a slice
o' banana cake. That's how I felt
exactly, with approximately four
more plates of salad to go.
It is about now that I feel I must
tell you the part of the story that
makes me look like a complete idiot.
And I'm telling it in precisely the
order that it all occurred to me.
Now, if you didn't eat the full 72
oz. steak and trimmin's, you had to
pay for it. That was widely posted
and well known. Back in those days,
it was $29.95. I could eat out of a
farmer's market for two weeks on
that kind of money. But what was not
posted anywhere in the establishment
- because I may have been the one
and only vegetarian who ever
wandered into the Big Texan
Steakhouse demanding equal rights -
was the price a person would pay if
they did not indeed finish six full,
robust pounds of salad from the Big
Texan Salad Bar. Staring at my
fourth dreadful plate of woody
carrots and mushy tomatoes, this
seemed to be a factor now. I didn't
have much money. I never had much
money. How I'd gotten myself into
such a situation was, pure and
simple, an example of what happens
when a young man's ego runs amok and
he gets just what he's begging for.
I was afraid to ask the price of
failure so I dove back into my meal
with renewed determination. I
finished plate four and made a
swirling motion with my right
forefinger, telling the girl to keep
'em comin'. She appeared with
another towering plate of inferior
plant matter and weighed it right
there at the table. Alright! That's
more like it! This one weighed in a
17 1/2 ounces. I wondered how she
got it all so compact until I got
about two bites down into it and my
fork hit a quarter of a raw potato.
I looked up in shock. "Really? A
potato?"
She grinned and shrugged. No reply
at all. What the hell, I thought,
it's heavy and it'll get the job
done. I gnawed on that potato and
managed to get it wedged between two
mushy tomatoes and it slid right
down my gullet. Hey! I'd discovered
a method that just might make it
possible for me to walk out of there
with all my money. I'd needed water
several times to get a wad of plant
matter down my throat but the weight
of the water did not count in my six
pound total, they said, so I went
without and just tried to force it
down.
|

My pooch (not a
vegetarian) likes to hitch
hike. |
Now you can force feed a baby, I
hear. Though I don't know if that's
politically correct anymore. And I
know for sure that you can force
feed a friend who has smoked too
much pot and can't stop eating Ding
Dongs. (man, I miss those days) But
it is incredibly difficult to force
feed yourself. The thing is, you
know it's coming; the hard fist full
of broccoli and green beans is hard
to miss when it's your own. You have
good intentions, you know you must
get this done and do it pronto, but
then you see your hand coming hard
at your face and all set to do some
serious stuffin' a pillow maker
would be proud of, you tend to
tighten up your throat muscles.
That's what I did. Right there in
the restaurant I must have looked
like someone with two personalities.
The one of me was trying to muscle
some humomgous forks full of
shrubbery down my throat and the
other of me was grittin' teeth with
veins popping out all over my
forehead and neck. It must have been
somethin' to see, because soon there
was a crowd gathered around me,
cheering, hollering out Hallelujah!
and Geronimo! and Remember the
Alamo! and shit like that and there
I was clutched in mortal combat with
myself: the me that feared what
would happen if a check was brought
to the table and the me that feared
what would happen if my stomach
burst open like ripped britches.
The rest of the story I have to
relate from hearsay, as I was not
fully conscious. Apparently, there
was no rule saying who had to man
the fork. The crowd had roused my
friends from Pac Man or whatever
thing they were playing and my buddy
Carl, seeing that I was only half a
plate from glory, gathered up all
the lettuce, potatoes, beans, mushy
tomatoes left on my plate into his
big farm boy paws and, much in the
way one might force a tire onto a
car rim in the days when a man did
that sort of thing, he wedged that
wad into my pie hole, packed it down
with his elbow, then pinched my lips
with his strong fingers long enough
for them to declare me successful.
They say the Big Texan did their
best bar business ever on that day.
Bets had been flying right and left
all during my last frenzied couple
o' platefuls, and the winners spent
their fortunes on buying drinks for
everybody. I of course, wasn't in
the mood for alcohol but my friends
were. So I believe they left me in
the pickup bed while they enjoyed a
few triumphant drinks and basked in
the golden glory of what I had
accomplished. I think I'm still
famous there, but I've never gone
back to see. |
|
Fall has been in the air here in
Seattle for nearly a month now. I've
noticed certain smells on the air
and sometimes the sunlight looks
more like September than July or
August. I mention that to some folks
and they groan, but it makes me
happy. Of course, I'm in love and so
every season is spectacular. In the
years where I've been on my own -
and there have been many of them off
and on in my life - many autumns or
springtimes would come around and
I'd wish I had someone special to
share it with. A couple of years ago
on October 1, I met the love of my
life. I didn't know it right away.
We met creating a concert to raise
money for the folks hurt by
Hurricane Katrina and our love grew
out of that beautiful event. I guess
that's about as meaningful way to
meet your true love as you could
ever ask for.
My point is, if I've been excited
that fall is coming for the last two
months, well, maybe it's because I
get to spend it with her. |
|
I began recording a new CD late last
year and have spent all this year
working on it. Last night I laid in
bed listening to seven of the songs
on my iPod and I could hardly
believe the dream that is coming
true. How is it that a person can
strum a guitar and find a beautiful
progression of chords, hum a melody
to it that wants to be hummed over
and over again for months, write
stories and poetry in lyrics and
then actually manifest those songs
onto a recording? I can tell you the
basic steps and yet it still amazes
me.
It's been nine years since I
recorded my last full band CD, Trace
the Sky. Since then I've done a
couple of solo acoustic recordings
that I love, but I've missed working
with other players to collaborate on
my songs and find new ways to
interpret them. I found a wonderful
engineer/keyboard player who owns a
small studio here in Seattle and
we've just been moving slowly toward
my dream. Working a couple of days
most weeks, bringing in a dobro
player or bass player, whatever
comes up for the song. And then I
take long walks with my iPod,
listening to our work and imagining
what I want to add to each song.
It's been a beautiful process
really, walking and listening and
dreaming and breathing in the
seasons as this meaningful work
develops. I can tell you this for
sure: it is very close to the best
work I've ever done. I know you have
your favorites and I'm glad you do.
I've often said that I will never
write better songs than Yellow
Windows or Run Like the River Runs
or All is Clear or Living Things.
Those songs said everything I wished
them to say and more. But this album
is filled with songs every bit that
good and it's really exciting to be
imagining them released into the
world and working their wonders in
people's lives.
When the time comes closer I'm going
to send out emails and ask for your
help. Ask you for ideas and
contacts, places and people to send
the music to in hopes of getting it
spread around the world more
extensively. So be taking notes. |
Thanks for visiting me here and for
listening to my music. It's a rare
day that I do not hear from someone
around the world who has just
realized that I'm alive and well and
who wants to renew one of the discs
they gave away, lost in a divorce,
broke in a bar fight. And I get just
as many new listeners, often people
who hear me at a friend's house or
dinner party. I thank you for
sharing my music, you've made it
possible for me to keep writing and
singing all these years and I won't
let you down. There is every bit of
heart and enthusiasm in my new songs
as there was in my very first.
I hope this coming autumn is good
for you, filled with life and
beautiful change. I'll leave you
with the lyrics to one of the songs
that will be on my new CD, Another
Way to Love You. I hope you enjoy
it.
Your friend in sunny Seattle,
~Michael
PS, if you're into downloading now,
five of my CDs are now available at
iTunes,
Real Rhapsody and many other
sites. I also have a
MySpace site
that you can visit, where you
download my tunes. |
|
Another Way
to Love You
See that
leaf blow by
The way it
rolls and
tumbles past
your eye
It's no
accident
From some
old tree it
is a message
sent
It's
just
another
way to
love you
There
could be
no other
way
Than the
leaves
all
blowing
around
you
On a
cold
November
day
Hear that
whippoorwill
The way she
thrills your
heart and
calms you
still
Surely,
birds do
love
What did you
think her
song was
woven of?
It's
just
another
way to
love you
Like the
meadow
loves
the
spring
In the
cool of
a summer
shower
When she
falls in
love
again
With the
rain
Say you
don't know
how
To show
someone you
love them
You feel it
in your
heart
But cannot
let it out
There is no
secret
It's there
for
everybody
You take a
deep, deep
breath
Trust your
own true
hear to lead
you there
See that
moon above
The way she
rolls along
the starlit
sky
Shine your
light on us
Show us how
to share a
love so kind
There's
just so
many
ways to
love you
Life
could
never
find
them all
So she
settles
love
around
us
Like
gentle
rain
that
falls
See that
leaf blow by
The way it
rolls and
tumbles past
your eye. .
.
©2007
Michael
Tomlinson |
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